By turning on and off the little orange lights, you can assign different functions to your sustain pedal. The Legato/Pedal tab offers a whole lot of options concerning the speed, length and tuning of your legato articulation. Although “ Flutter Tongue” is available as a discrete articulation from the top menu, the blending option allows you to simulate the playing style of going in and out of a flutter smoothly. The Blending tab allows you to seamlessly blend between a normal sustain articulation and a flutter tongue articulation. What’s new, is the “ Blending” tab as well as a sophisticated Legato/Pedal tab. When selecting the last option “ Next Note“, the keyswitch doesn’t take place until the next note is played. This is especially useful if you want to throw in a run or rip while playing a legato line. In “ Permanent mode“, you just have to hit a keyswitch once to change articulations whereas in “ While Hold” mode, articulations switch back to the previous setting as soon as you let go of the key. These include “ Permanent“, “ While Hold” and “ Next Note“. You also get the option of choosing the mode of every single keyswitch. The preset keyswitches range from A-1 to A#0, but you can freely reassign and change articulations to any keys you like.
Most of the options, like the articulation switcher, dynamic layers, note heads and vibrato should be already familiar if you own another Chris Hein product.īy clicking on the orange “ Overview” button in the Articulation tab, you can see, which articulation is assigned to which keyswitch. Here, you can choose from an extensive list of different impulse responses as well as control the volume and pre-delay of the reverb engines.īy clicking on the second tab underneath the interface labelled “ Articulation Presets“, you’ll be directed to a more elaborate control interface. The third and last page of the Basics tab brings you to Chris Hein’s dual layer reverb engine (which I also described in-depth in my Chris Hein Winds review).
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I already went into detail on the “ Note Heads” feature in my Chris Hein Winds review, so feel free you check it out if you’re looking for more information on that. These include playing velocity, dynamic layer switching, vibrato amount and a collection of Note Heads. On the second page labeled “ Control“, you’ll find a quick overview of the most important control options.
It also notifies you, when you enter the extended range of an instrument. The first page of the “ Basics” tab provides you with information on which key you’re playing and which articulation you’re currently using. What you see is the so-called “ Basics” tab, which should provide a simple, easy-on-the-eyes overview of only the most important features. Don’t be fooled though, all the controls, faders, knobs and modulation options are there, it’s just that they’re hidden under the hood.
When loading up your first instrument, you’re presented with an almost disturbingly simple interface by Chris Hein standards. Since the “ Winds” and “ Brass” libraries share a fair amount of the same functions, I will rather concentrate on the differences and additional functions, Chris Hein Orchestral Brass offers. Like Chris Hein Winds, this sample library is a Kontakt instrument and can be installed via Native Instruments’ tried and tested Service Center. The library comes as a downloadable product and is 12,15 GB in size when decompressed.